Kvazimir Malevicha (video, 7:00) 2013
Memory as an objectivable phenomenon. Memory as a medium: whimsical and changeable. Memory as a collection of mechanisms and functional techniques: floating and flashing, diving and erasing, sharp displacements and skipping, mixing of the indirect and the non-existent, déjà vu, detailed detail, mirage, tremor, explosive capture, blissful drift. Malevich's "conceptual character" plays in opposition with his bare feet peasants. Depersonalized townspeople appear, burning peasant felt boots, remaining after summer labors, a dynamic ball bounces and is destroyed digitalized square. The déjà vu effect is built like a genome into the body of the video – sharp repetitions of short fragments. Suprematist digitalization of the introduction and the finale form the inner cycle of one of the moves of the tortuous human memory.